Kalique Crosby ’07 () uses spray paint to bring history to the streets of our nation’s capital. The artist — whose vibrant murals celebrate both Black trailblazers and everyday experiences of the local community — says his work will reach more people than history books.

Among Crosby’s murals are those honoring Washington DC’s go-go scene (go-go was recently named the official music of the District) and civil rights activist Dorothy Height, as well as Black abolitionist John M. Langston in nearby Arlington, VA. As part of his process, the artist researches his subjects not only to learn their stories, but to discover their relevance to the local community.

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 (, )’s first curatorial project —  — uncovered the erased history of MICA’s Black students. In putting the work together, Moses also began to document stories from the College’s current Black community, including students, faculty, staff, and alumni. As part of that effort, she also presented an on-campus exhibition,  — the name incorporates Black lives and archives — and the impact of it reverberated across campus and prompted President Samuel Hoi to issue a letter apologizing for the College’s racist past.

Moses, who sees herself as curator and community builder, grew her work into , which provides historical research, archival service, and knowledge. Working with community partners in Baltimore, Blackives cultivates the untold narratives of the Black experience, with programming that brings people together to share their histories, strengthen their traditions, and connect present to past in ways that build stronger communities.

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At the height of the COVID-19 pandemic, the MICA Quilt Club became a social lifeline for the community both inside and outside of MICA.

Founded by  faculty member Susie Brandt, the club stopped meeting during the College’s shift to online learning and work in Spring 2020. But by summer, the group was meeting online, and as the pandemic raged on members invited others — family and friends — so that the group grew to include 76 members, the youngest 10 and oldest 82.

With experts sewing alongside novices, the group learned together — about quilting and each other — and by 2022, created 15 works. Their results were used to support a number of organizations. The “Reginald F. Lewis Museum Story Quilt” not only chronicles stories related to the museum, it also raised funds for it — and became part of , an on-campus exhibition where the group was able to meet in person for the first time.

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